The BW Review : “Before Watchmen : Rorschach” #4

Posted: March 7, 2013 in comics
Tags: , , , , ,

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Another week, another Before Watchmen book draws — mercifully, I might add — to a close, as we reach the “climactic” final issue of Brian Azzarello and Lee Bermejo’s four-part Rorschach mini-series. And frankly it’s not a moment too soon.

I’m not even sure how to properly convey my overall disappointment with this one, folks — and at this point I wasn’t even expecting much. It’s no secret I’ve been more than a tad disappointed by the entire BW project as a whole, but the concluding chapter of Before Watchmen : Rorschach really lets down the side —  even when compared against the slink-out-the-door, complete-cop-out ending of J. Michael Straczynski and Adam Hughes’ Dr. Manhattan series. The scripting  — as we’ve come, sadly, to, expect from Azzarello — is lazy, the dangling plotlines are “resolved” in a completely rushed and unpredictable-only-in-terms-of-their-ineptitude manner, and all in all, well, the book just plain sucks.

If you’ll recall, last time around things were finally starting to come together a bit — Rorschach had been captured by super-criminal Rawhead and his boys (again) and was being trussed up in preparation for a gruesome death (again) while the serial killer known as “The Bard” zeroed in on Rory’s only friend in the world, the Gunga Diner waitress he was all set to meet up for a dinner date. On top of all that, the lights went out in New York City as the infamous blackout of 1977  hit. Simple as it would be to bring all these disparate plot elements together in a semi-satisfying, if unambitious conclusion — Rorschach gets away, saves the girl in the nick of time and/or doesn’t but manages to kill “The Bard” anyway, and the lights come on — Azzarello can’t even pull that off. Oh, sure, Rorschach escapes from Rawhead’s clutches (although how he actually manages to do so is barely shown), the girl gets away from “The Bard” on her own (somehow — in this case they don’t even bother showing us how), and five years later, when “The Bard” gets outta the joynt, Rory busts into his apartment and kills him in an epliogue that completely lacks any sort of “payback”-style drama because, well, even though “The Bard” has been hanging around the outskirts of the story since the beginning, he never once tussled with the star of the book.

What does “Azz” take up the remaining pages of this scantily-scripted issue with, then, you may wonder? Some lame-brained, last-minute “twist” to the plot featuring Rawhead hitting the streets in Rorschach’s mask and getting himself killed — all of which is, as you’d be right to guess, about as stupid as it sounds.

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On the plus side, after the obvious deadline-rushed work of issues two and three, Lee Bermejo’s art improves here and is more or less back up to the standard he set in the book’s opening installment. His cover (shown atop this post) is pretty good, too, and Ivan Reis’ variant (shown above) is flat-out incredible. But pretty pictures alone can’t save this work, and somewhere I think Alan Moore and Dave Gibbons are probably shaking their heads.

Then again, I’m sure they had better since than to actually read this thing. Wish I could say the same for myself.

Comments
  1. Thanks for doing these, dude. I wanted to know what the Before Watchmen comics were like from a biased source, from someone who rather than giving them a thumbs-up from Team Comics recognised that they had to justify their need to exist, and you’ve given me just that.

    • trashfilmguru (Ryan C.) says:

      Thanks for the kind words, my feeling in regards to any sequel or prequel to a work that stands just fine on its own is that they do, indeed, need to justify their existence. Another “Friday the 13th” or somesuch needn’t do that in my view, since you pretty much know what you’re in for every time out and you’ll either enjoy that or you won’t, but a genuinely singular piece of work like “Watchmen” is going to be ill-served by any sequel or prequel that doesn’t fundamentally deepen our understanding of the original work. None of these books do that — the “Minutement” and “Silk Spectre” series were decent comics, the rest really haven’t been, but none has managed to pass that threshhold of justifying its need to exist.

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