The BW Review : “Before Watchmen : Ozymandias” #6

Posted: March 13, 2013 in comics
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Hmmm — maybe it’s just the so-called “soft tyranny of low expectations,” but the fact is that I wasn’t quite as offended by the sixth and final issue of Len Wein and Jae Lee’s Before Watchmen : Ozymandias  as I was expecting to be and it didn’t quite piss me off as much as the previous five had.

Oh, sure, it’s still more than fair to say that nothing actually happens here, and that we’re just spoon-fed a bunch of over-written flashback scenes that don’t even do much to flesh out events as initially presented by Alan Moore and Dave Gibbons over a quarter-century ago — as a matter of fact, Wein even goes down the ultra-lazy route (one he’s traveled before) of including a scene previously written by Moore verbatim here (in this case it’s the Comedian’s famous late-night visit to Moloch’s apartment and it takes up two of this issues 23 story pages), which I hope resulted in a commensurate docking of his pay.

And Lee’s art still sucks, too — it’s as stiff, lifeless, and devoid of backgrounds as ever. How this book ever ended up getting behind schedule is beyond me, as his panels are the most basic thing you’ll ever see. His cover (as shown above) is decent enough as far as these things so, as is Ryan Sook’s variant (shown below), but honestly, where all the “ooh”ing and “aah”ing in fandom comes from in regards to the art on this series is absolutely beyond me.


So, what did I actually like  about this concluding chapter? Well — nothing, I guess, but I actually don’t recall saying I liked  it, only that I didn’t actively dislike it as much as I had some prior installments. Look, Wein actually has Adrain Veidt say “heavy is the head that wears the crown” in this issue and seems to be writing the scene with a straight face! So, no, this isn’t a good comic. In fact, it’s a decidedly lousy, completely unnecessary one.

But hey — it’s not as lousy and completely unnecessary as parts one through five. The conversation Veidt has with writer Max Fisher, and the explanation Wein provides for the pretext under which he recruited the artists, writers, scientists, and other “visionaries” to work on his hidden island, are actually somewhat interesting — if not terribly surprising or imaginative. So this book has a couple of things going for it, I guess (sort of), and that’s more than you can say for the segments of the story which preceded it.

Yeah, I know — that’s definitely damning with faint praise.  It’s also the first and only praise I’ve had for this series — and since this is the final issue it’ll be the last, as well.

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