“The Crescent Moon Clown” : Nigel Bach Never Says “Enough Is Enough”

Posted: December 27, 2018 in movies
Tags: , , ,

Just when we thought we were out — he pulls us back in!

The third (and, to date, best) installment of writer/director/actor Nigel Bach’s filmed-on-his-iPhone-in-his-own-goddamn-house Bad Ben series was supposed to be “The Final Chapter,” but here we are, one year and two more films later, and it still shows no sign of being anywhere near over. I can’t say I blame Bach — Amazon Prime keeps picking these things up, they cost nothing (or next to it) to produce, they can be cranked out fairly quickly, and they presumably turn at least a modest little profit. Just because you can keep doing something, though, doesn’t mean you should.

Let’s just call it like it is right outta the gate here : this is a remarkably unlikely indie “franchise,” and Bach deserves a lot of credit for his tenacity and belief in himself — but it’s also a franchise that’s entirely out of gas. It was bound to happen, of course — there’s only so much that can be done with a bog-standard “haunted house” premise and no money, and again, Bach should be commended for milking the whole thing for far more than anyone (myself included) ever thought possible, but still — viewers are generally aware of when a given premise has run its course, even if the filmmakers themselves are blind to it.

And, to rise to Bach’s defense once again, as lousy as Bad Ben 4 : The Mandela Effect was, I can see why he maybe thought he could go back to the well one more time once he’d put that one “in the can.” After all, that flick was pretty much a “solo venture” again — a “return to roots,” so to speak — and if it didn’t work out, what the hell? He’d done his best work with a larger (relatively speaking) cast, so maybe he could just go down that road again if part four landed with a thud. And so he has.

To that end, The Crescent Moon Clown — or, if you prefer, Bad Ben 5 : The Crescent Moon Clown — is not focused on Bach’s Tom Riley character (by and large, at any rate — he does pop up in what can fairly be termed a cameo), but the focus here is still tight and insular, the lone “star” being Jetta Tionne Anderson, who plays Renee, a college-age kid who’s spending her fist night alone in her parents’ new house — which just so happens, of course, to be Tom Riley’s old house. Cue things going bump in the dark.

Anyway, long story short, we’ve been here. We’ve done this. And the well is dry. Bone dry, in fact.

Anderson is likable enough, but not a tremendously competent thespian — you can tell she’s trying, and I give her all kinds of credit for that, but she struggles with that fine line between “emoting” and “exaggerating,” and the script’s “scares” are so fucking tepid that someone of her marginal ability is pretty well set up to fail as she tries, without success, to make a silk purse out of the sow’s ear Bach has written. With some decent material, she might be able to pull off a smaller role, but as things are — well, let’s just say she’s out of her depth and lacks the tools and training to hide that fact.

Still, despite the fact that a film of this nature is going to rise and/or fall on the shoulders of its lead, the fault here lies — just to be perfectly clear one more time — not with Anderson, but with Bach himself, who put an inexperienced actress in a bad position just because he couldn’t let go of an idea that’s well past its expiration date. He’s shown flashes of being a genuine no-budget auteur in earlier installments of this series, so I’d be game to watch something new with his name attached to it, but that’s the rub : it has to be new. A haunted clown doll in a dusty old box may be a new “wrinkle” in the Bad Ben “mythos,” but it’s not a new concept, much less a new lease on life.

The jury, then, may be out on Bach himself as a filmmaker, but as far as his pet franchise goes, it’s crystal clear : The Crescent Moon Clown proves that you can put a fork in Bad Ben. It’s done.

Or, at least, it should be.

 

Comments
  1. Ryan C. (trashfilmguru) says:

    Reblogged this on Through the Shattered Lens.

  2. Howard says:

    So let me say right off that I use your site very often. Every other reviewer gives way too much info about plot and many seem jaded. You are always fair. I think other reviewers consider what their readers want to watch too often. For example I don’t ever bother reading found footage reviews any more since they get trashed simply because it was filmed in that fashion. That is crime seeing as some of the best horror these days are found footage. Hell House LLC. Savagetown. Boots On the Ground. Population Zero. Butterfly Kisses. I could go on but any horror fan that decides to skip these movies due to the fact that they’re found footage is their loss. Of course there are awful found footage movies as well. I thank you for the heads up on Bad Ben 6 or 7 or whatever number it’s on. Now I know to stear clear. Which is no surprise but thank you.

    • Ryan C. (trashfilmguru) says:

      You’re welcome, and thank you for the kind words ,both about my site, and about “found footage” horror in general — a subgenre which, you rightly note, gets trashed a lot, but which has actually produced some very good films in recent years.

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