“Bad Ben : The Way In” – Nigel Bach’s Very Own Never-Ending Story

Posted: June 23, 2019 in movies
Tags: ,

Okay, so in truth I wasn’t aware that Nigel Bach had cranked out a sixth film in this, the most unlikely “franchise” series in cinematic history, and I usually pride myself on being on top of these sorts of things, but hey — when I learned that Bad Ben : The Way In had shambled its way from Egg Harbor Township, New Jersey all the way to Amazon Prime back on May 1st, I can’t honestly say that I was surprised or anything.

And, really, why should Bach stop? When he sub-titled one of his films “The Final Chapter,” it looked like maybe he was going to retire this admittedly played-out concept, but let’s be honest : these things cost no money to produce, he doesn’t necessarily “need” anything other than his iPhone to make them (although he’s expanded the cast a couple of time in the past, it’s not like anyone actually expects him to hire actors on even a semi-regular basis), and a new “production” can probably be completed in, like, and afternoon. Or an evening.

I’m not sure how much cash they make, but seriously — even if it’s only a few thousand bucks (not an unreasonable assumption), that still represents a very nice return on investment when that “investment” amounts to nothing but time. And not even much of that.

All of which is to say, yeah, these are pretty lousy movies, but if you came up with this idea, and it paid off even modestly, then you’d keep coming back to the well, too, even if only for beer money.

But dammit, just because Bach can (and likely will) keep this up until the end of time, that doesn’t mean I have to like his flicks. I’ve been marginally impressed, all things considered, with a couple of them in the past — check back through my old reviews if you don’t believe me — but this latest one represents the possible nadir of the franchise, a dull and un-inspired “found footage” romp that sees Bach’s Tom Riley character returning to the house he supposedly “left” (that being his own “real-life” residence) in order to rid it of its evil spirits (say it with me) “once and for all” before new owners take possession of the place. Things “don’t go as expected” — which is to say that they go precisely as expected — and Tom ends up in a battle for his very soul against nine separate demons that are all, ya know, him. Hey, look — it is what it is.

And you and I both know what that is, and yet here I am, once again, not only having watched the film, but having taken the time to review it. So I can piss and moan all I want, but who do I think I’m fooling? Bach has me beat. He’ll make another of these — and another — and probably another after that — and I’ll be back. I’ll moan and groan, sure, but does it even matter? He wins by getting me to press “play” on my screen. That’s literally all it takes. Bach may be the biggest grifter in horror, but there are plenty of willing “marks” just like me, and he damn well knows it. Who says you have to be a talented filmmaker to be a cinematic genius?

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Comments
  1. Ryan C. (trashfilmguru) says:

    Reblogged this on Through the Shattered Lens.

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