International Weirdness : “Sniper Corpse” (A.K.A. “Corpse Sniper”)

Posted: August 21, 2019 in movies
Tags: , , , , , , , , , , ,

Coming our way from the UK in 2018 and “boasting” a production budget of 30,000 pounds, writer/director Keith R. Robinson’s Sniper Corpse (now available for streaming on Amazon Prime under the closely-related title of Corpse Sniper — I honestly couldn’t tell you if it’s seen a Blu-ray or DVD release) has precisely one chance to make it : put succinctly, it absolutely needs to punch above its weight class.

Certainly, for a flick with no money it attempts to tell a pretty ambitious story : recently-widowed Diane Keely (played with something very much akin to actual professionalism by Eleri Jones — keep your eye out for her in future), whose husband was killed in action, goes searching for his purportedly “missing” remains  — and some answers — all the way into the heart of darkness, that “darkness” being embodied by one Dr. Craybrick (Tony Eccles, who delivers a solid performance himself), who’s the mad genius behind a military program that re-animates the dead for purposes of conscripting them back into service. We’ve established that the acting is well above standard for this sort of thing, then — shout-out to Kit Smith as Braddock in this regard as well — but what about anything and everything else?

Okay, I’ll level with you : there’s some very dodgy CGI on offer here, but when Robinson and his EFX crew go the practical route, the results are actually fairly impressive, and the same is true in regards to this flick’s moody, atmospheric cinematography, as well as its front-of-the-camera production values in general. Nothing’s perfect — there’s literally no way it could be — but more or less everything that you do see exceeds what you expect to see, and for a “micro-budget” production, that’s likely the highest form of praise one can bestow upon it.

Robinson, in other words, has earned the right to take a bow here, as is true for his talented cast and crew, including both performers who bring the so-called “Dark Soldier” to life, body actor (is that an actual term?) Jordan Murphy and voice actor Howy Bratherton.

Which isn’t to say that it doesn’t suffer from some glaringly obvious flaws — again, this scenario was more or less inevitable. You can only do what you can do with what you’ve got, of course, and while Robinson and company appear to have gone all-out in terms of putting together a reasonably competent visual spectacle, the script lets the side down pretty frequently, with glaring plot holes (why are British soldiers fighting in Riga, Latvia in the first place?) and a tired anti-drug premise giving the proceedings a decidedly dated feel to them.

But, honestly, as far as gripes go, that’s about all I’ve got, and it really ain’t much — so maybe shutting up is the wise course of action at this point, which is something I’ve heard from my family and friends on too many occasions to count. If you come into this thing expecting a masterpiece of some sort, then you’re bound to walk away from it with your head shaking somewhat vigorously, but if you’re willing to give Sniper Corpse a chance to impress you — both for what it is as well as how much more it is than it could be (does that even make sense? I sure hope so) — then it’s sure to do so.

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Comments
  1. Ryan C. (trashfilmguru) says:

    Reblogged this on Through the Shattered Lens.

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