Archive for the ‘Uncategorized’ Category

Another new review from yours truly for Graphic Policy website —

Graphic Policy

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I dunno — maybe I wanted to like this one a little too much.

Seriously, though, who wasn’t rooting for Black, the Kickstarter-funded indie comics project from writer/co-creator Kwanza Osajyefo, “designer”(we’ll get back to this in a minute)/co-creator Tim Smith 3 and artist Jamal Igle, which has recently found a publishing home thanks to the always-interesting Black Mask Studios?

The book is certainly topical — police brutality, BLM, poverty, and Trump-esque “fear of the other” are all front and center in this series, and that provocative-as-all-hell cover by Khary Randolph grabs you by the throat before you’ve even flipped open to page one. Yeah, I got a free digital “review” copy of this comic, but I was so determined to support it that I plunked down $3.99 for it at my LCS, regardless. Then I read the thing — cover to cover. And when I say…

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Review : “Eden’s Fall” #1

Posted: September 6, 2016 in Uncategorized

Another new review from yours truly for Graphic Policy website.

Graphic Policy

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Who are we kidding? Crossovers, by and large, always suck. The yearly JLA/JSA team-ups of days gone by may have been fun, but the early ’80s ushered in the era of the “mega-crossover” event with Marvel’s Secret Wars and DC’s Crisis On Infinite Earths, and while those two seminal series may have had their charms, pretty much everything that’s followed in their wake has been pure drivel. It’s well past time, in my own humble opinion, for the crossover to redeem itself.

Don’t count on it happening at the “Big Two” anytime too soon, though. Marvel’s allowing its entire line to be swallowed whole by Civil War II as we speak (mere months after doing the same with their re-tooled version of Secret Wars) and DC seems to be slowly building up to a “blockbuster” of their own that will feature their characters taking on the so-called “Watchmen Universe.”…

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Another new one from yours truly for Graphic Policy website.

Graphic Policy

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A fair number of critics that I know of choose not to follow comics creators on twitter simply because they don’t want their impression of any given writer, artist, etc. beyond the printed page to influence their opinion of said person’s work, and I can sort of see the wisdom in that — after all, if you’re obviously “twitter pals” with a certain creator, and then you write a glowing review of their latest project, you’re going to be subjected, rightly or wrongly, to speculation that you’re just doing your friend a favor by telling folks to buy their book.

And then there’s the simple fact that a fair number of creators just don’t seem to like us critics very much. Don’t get me wrong — they absolutely love us when we have good things to say about their comics, but there’s a small but vocal number of freelancers out…

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Review : “Throwaways” #1

Posted: July 10, 2016 in Uncategorized

Another new review from yours truly for Graphic Policy website.

Graphic Policy

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I was a big fan of the late, lamented Vertigo series Coffin Hill, so when I heard that its talented scribe, Caitlin Kittredge, would be plying her trade over at Image Comics in a new ongoing (whatever that phrase even means anymore) series that was going to be well outside her usual supernatural/horror wheelhouse, I was both intrigued and excited. The artist attached to the project, Steven Sanders, was a new name to me, but the subject matter sounded right up my alley — two twenty-somethings thrust into a web of mystery well beyond their understanding but presumably tied in with the CIA’s notorious MK-ULTRA program.

At this point, I suppose, a little bit of explanation is in order for those for whom this term is unfamiliar — in short, MK-ULTRA is real-life mind control, funded by your tax dollars. “The Company” assures us that it’s long…

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Graphic Policy

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Right off the bat, I have to say — this is a little more like it. As someone who can in no way, shape, or form be accused of being a “fan” of last week’s DC Universe : Rebirth 80-page introductory salvo, I’m more than pleased to see the continuity-drenched, backstory-heavy, and new-reader-alienating premise of that truly atrocious comic ditched (more or less) in favor of the simpler, scaled-back, one-shot stories that constitute the first wave of Rebirth specials. The approach on display here is, frankly, the one DC should have taken all along, in my view — and basically it’s one of “the characters you love have been here all along, we just haven’t been doing them proper justice. From now on, we will.”

Which isn’t to say that the four Rebirth  comics we got this week were necessarily all that good — truth be told, most of them…

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This wasn’t supposed to happen, was it?

Less than five years ago, when DC re-launched their entire line with their obviously-hastily-assembled “New 52” initiative, we were promised that “this was the big one,” that the changes it introduced were “permanent,” and that the then-new version of the corporate universe it presented was “here to stay.” At first, of course, sales were strong, but it didn’t take long for one thing to become very clear : people just weren’t crazy about this purportedly “darker,” more “mature,” and more “realistic” world their favorite characters were inhabiting. DC’s “brain” trust tried some tinkering around the edges here and there, and even went the “soft relaunch” route just last summer when they re-branded everything “DC You” and tried to impose a “lighter” tone on just about everything by means of editorial edict, but the writing was on the wall — as sales on pretty…

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Another new review I did for Graphic Policy website.

Graphic Policy

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So, here it is — several years (necessitated by several twists and turns in the development stages) after it was initially announced, Grant Morrison and Yanick Paquette‘s Wonder Woman : Earth One hardcover graphic novel is finally in our hands (or mine, at any rate — and maybe yours, too, but frankly I have no idea about that), and I guess the question on everyone’s minds is a pretty simple one : was it worth the wait?

Having just read the book yesterday you’d think I’d be able to provide a definitive answer to that, but the truth is I can’t (hey! What sort of a critic am I, anyway?) simply because, well — I’m not entirely sure how I feel about it yet, apart from harboring a vague sense that it marks something of a wasted opportunity .

Uncertainty isn’t an entirely atypical reaction for any Morrison-scripted…

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