Posts Tagged ‘Catherine Cobb Ryan’

A thorough appraisal of the micro-budget horror offerings available for streaming on Amazon Prime would’t be complete if we didn’t check out at least one rip-off of The Exorcist (there are literally dozens to choose from), and so I rolled the dice on writer/director David Spaltro’s 2015 effort, Dark Exorcism (originally released under the title In The Dark, not sure when or why the name-change happened), which manages to stand out from the pack in that it features four female leads — but apart from that, I’ll give the game away right at the outset (never an advisable thing to do in the review game, I know, but what the fuck) and just state plainly that this is “been there, done that” stuff all the way.

If you’re still reading, then, here are the particulars : art student Bethany Mills (played by Grace Folsom) has recently survived a horrific accident that claimed the life of her father, and subsequently moved back in with her mother, Joan (Catherine Cobb Ryan), who is becoming increasingly disturbed by both her daughter’s borderline-unhinged behavior, as well as a series of paintings she’s undertaken that features decidedly morbid themes and iconography. Time to call in the professionals!

The “professionals,” in this case, are parapsychologist Lois Kearne (Fiona Horrigan), and skeptical grad student Veronica Carpenter (Lynn Justinger), who’s doing her thesis on on the paranormal and is along for the ride basically to function in the “audience’s eyes and ears” role, the idea being that we’re supposed to drop our resistance to the whole notion of demonic possession along with her as events spiral increasingly out of control. Kearne herself admits that the vast majority of cases she’s investigated over the years either ended up having perfectly rational explanations or were outright hoaxes, but she insists that a small handful really were genuinely inexplicable, and while she’s not sold on this one falling into that category immediately, she lets it be known that it has all the hallmarks of something that might be a “legit” possession, while Veronica, for her part, remains unconvinced — and remains unconvinced — and remains unconvinced —

Right up to the point where it pretty much can’t be denied anymore no matter how stubborn you are. Finally! But by then, trust me, your interest in the proceedings has already worn pretty thin.

On the plus side, the production values of this flick are fairly competent across the board. The acting is uniformly solid if unremarkable, the effects are reasonably impressive, the music’s pretty decent, and the sets, cinematography, and lighting are all effective enough as far as these things go. No one involved with the production either in front of or behind the camera need hang their head in shame. And yet —

There’s really nothing that stands out, either. This is a road very well-traveled, and surprises are nowhere to be found. Spaltro seems to be playing at something of a “faith-based” angle here, too, which results in a whole bunch of boring and hackneyed metaphysical monologues apparently designed to scare us all back into the pews on Sunday mornings. That kind of heavy-handed lecturing is, of course, something we can all do without — and, at the end of the day, the same can be said of Dark Exorcism in general.