Posts Tagged ‘Hayley Wayne’

Hey, it wouldn’t be a Halloween on Amazon Prime without a new film from our guy Ryan Callaway to check out, would it?

Of course not, and just the other day his latest popped up on there — Messenger Of Wrath, which “wrapped” production just a few short weeks ago and marks something of a departure in the veteran micro-budget auteur‘s output in that it’s the first time, at least to my knowledge, that he’s delved into the burgeoning “home invasion” sub-genre, but fear not : as with all things Callaway (or maybe that should be Callaways, given that his wife, Amy, produces all these flicks — this being no exception), there’s a twist here to set it apart from its competitors/contemporaries. But it’s not one that I’m going to give away in case you decide to watch this movie, so rest easy on that score — we’re keeping things (relatively) “spoiler-free” for purposes of this review.

Genre branch-out aside, however, this is still, in many ways, a “typical” Callaway film in that it was produced on a shoestring budget, filmed in New Jersey, has a lengthy (some would argue padded) runtime, is populated by a cast of regulars (specifically Madeline Lupi, Melissa Malone, Hiram Ortiz, Brittini Schreiber, Hayley Wayne, and Isabella Mays — to name only those I recognized off the top of my head), and features strong and independent women or girls in most of the lead roles. It’s also essentially bereft of gore, nudity, and even (for the most part) cursing, so it’s not one you’re probably gonna want to watch over a few beers with your friends.

If you’re still willing to give it a whirl even bearing in mind all those caveats, however, what you’ll find is a relatively tense and well-executed psychological thriller with reasonably compelling characterization, smart (if plentiful) dialogue — and, in this case, some pretty good acting, as well. Surely we can forgive its lack of entrails and viscera, then, can’t we?

The set-up here is deceptively simple : precocious 12-year-old girl Three Ballentine (played by Lupi, who really shines in this featured turn) is left home alone one evening when her usually-quiet exurban residence is set upon by a gang of masked intruders.  Her internal “survival mode” switch kicks in pretty quickly and she proves to be rather ingenious at evading and/or thwarting her would-be kidnappers/assailants, but here’s where the twist comes in, and it’s one that dovetails with prior Callaway efforts, so I’ll keep things suitably oblique : when the chase moves outdoors, both Three and her pursuers discover that they have a much bigger problem to worry about, and it’s one that potentially threatens all of them and doesn’t really discriminate between “good guys”and “bad” —

My one semi-major gripe here is that this film probably would have benefited from having 20-30 minutes excised from it, which would have resulted in a more brisk and terse affair fraught with a bit more tension, but Callaway has always been one to give his stories (and his characters) plenty of “breathing room,” and I don’t foresee that changing anytime in the near future. Aside from that, though, problems are really quite few and far between, and Messenger Of Wrath may indeed be the most well-executed example of the whole “Callaway Ethos” to date. A very well-done flick from one of the micro-budget scene’s most prolific — and interesting — filmmakers.