Posts Tagged ‘Jonny Coyne’

Pre-emptive separation anxiety — it’s a real thing.

I admit it : I’m not ready for David Lynch and Mark Frost’s Twin Peaks 2017/Twin Peaks : The Return/Twin Peaks season three to be over, and I’m sure the same is true for many of you (and there are a lot of “you”s if my WordPress readership statistics are to be believed — let me say thanks for that right now). This is only going to happen once, and that “once” ends just seven short days from now. Oh, sure, we’ll be discussing, debating, theorizing, even philosophizing about what it all meant for the next 25 years (at least), but the “event” (a term that really does apply in this case) itself is almost finished.

At least part sixteen gave us a chance to say some good-byes in advance, thus preparing us for the “big good-bye” next Sunday, and so : good-bye to Eamon Farren’s Richard Horne, set up for death by his own father (told you!!!!), “Evil Coop” (played with Emmy-worthy sneer n’ cringe by Kyle MacLachlan), while a fucked-up Jerry Horne (David Patrick Kelly) watches from a safe distance through the wrong end of his binoculars. Good-bye to Laura Dern’s Diane Evans, revealed, in a truly shocking (at least to me) sequence to be a “tulpa,” and one that tried to knock off Lynch’s Gordon Cole, Chrysta Bell’s Tammy Preston, and Miguel Ferrer’s Albert Rosenfield on her way out before undergoing — uhhhhmmm — “de-manufacturing” at the hands of The One-Armed Man (Al Strobel). Good-bye to Jennifer Jason Leigh and Tim Roth, who met the fate of all who attempt to harm Dougie Jones and his family, courtesy of a psychotic next-door neighbor, played by Johnny Coyne, who’s credited only (but entirely accurately) as a “Polish Accountant.” And a very big, sloppy, wet-kiss, heartfelt good-bye to Dougie himself, who starts out this evening’s installment comatose after his light-socket-and-fork number and ends it —-

Well, hello, Special Agent Dale Cooper! Yes, the real Special Agent Dale Cooper! “100%!” “I AM the FBI!” All that good stuff. Goddamn, but this sequence was amazing to watch, as Coop emerges, Angelo Badalamenti’s original version of the show’s theme swelling in the background, borrows a snub-nose revolver from Bushnell Mullins (Don Murray), and arranges for a private plane owned by Jim Belushi and Robert Knepper’s Mitchum Brothers to take him to —- Twin Peaks.  Oh, and the Mitchums, Candie (Amy Shiels), and her fellow side-kicks? Apparently they’re all coming along for the ride. That promises to be interesting!

Unfortunately, but wisely, Janey-E (Naomi Watts) and Sonny Jim (Pierce Gagnon) won’t be. Dougie/Coop’s farewell to his wife is another Lynchian nod to Old Hollywood, and while I have no doubt that his promise to return to “his” family is sincere, the fact that he asked for an extra “seed” from the One-Armed Man (who, by the way, passed the “Owl Cave Ring” onto him) and gave him a lock of his hair tells me that the Coop we know won’t be coming back to Vegas, but that another manufactured doppleganger will be. Cooper seems to have memories of Dougie’s life, though, so who knows? Maybe I’m wrong and he’ll get his happily-ever-after with a wife and son that at least part of him “knows.” At this point, as always, I have far more questions than answers.

Speaking of which — so, like, what the fuck happened at the Road House tonight? Audrey Horne (Sherilyn Fenn) and ostensible “husband” Charlie (Clark Middleton) finally made it — and just in time to see emcee J.R. Starr introduce none other than Eddie Vedder himself to the stage (great song, by the way) — but as soon as the Pearl Jam frontman wraps up and the house band plays “Audrey’s Dance” (complete with her original Badalamenti theme — we’ve got a theme going here tonight), you figure something’s gotta be up. And something is up. Specifically, this :

That’s one hell of a cliffhanger, ain’t it, though? Has everything she’s been seeing, doing — or, more accurately, not doing — these past few weeks been entirely in her head? Is she institutionalized? Is the man we know as “Charlie” possibly her doctor or something?  Again, only questions, no answers. I kinda figured the Renaud family couldn’t afford to pay Eddie Vedder to play their dive bar, though. They already blew their live music budget on “the” Nine Inch Nails — assuming they were ever really there themselves — oh dear God I’m lost.

And that’s where I want to be for a good long while yet, but like it or not, we’ve got one two-hour chunk left, and that’s it. There’s a symmetry of sorts to this — the original series ended with two episodes sandwiched together as a “TV Movie Of The Week,” shoved into a scheduling “suicide slot” on a Monday night in June back when summers were strictly “rerun season,” and the new series ends with the final two parts airing back-to-back on a holiday weekend, so that seems a bit poetic — but even if the circumstances are right, the stars are aligned, and what have you, I’m still not ready to let go. If you want a few hints as to what may be in store but want to avoid actual “spoilers,” the show’s cast listing on IMDB now has final stats for how many parts everyone appears in available, and some of the folks who will be coming back are very surprising indeed — and the same is true for some of the folks who won’t be. Beyond that, I’ll say no more, because I don’t want to know any more myself. What I do know is that I’m probably not ready to be done writing about Twin Peaks after the finale airs next Sunday. What form that additional writing will take I have yet to determine, but maybe that’ll be one more answer that we finally get next week, too.