Posts Tagged ‘Rebecca Rodriguez’

The end, as they say, is nigh.

It’s been quite the first season for the DC Universe original streaming series Doom Patrol, has it not? And in the next-to-last (and fourteenth) episode, appropriately titled “Penultimate Patrol,” we’re treated to the return of old friends (Danny The Street) and old foes (Tommy Snider’s cringe-worthy, and now apparently reformed, Beard Hunter), but by and large the focus here is on the team — and, yes, now it really is a team — and the culmination of their own personal journeys, quite literally.

Yes indeed, everything “showrunner” Jeremy Carver has been building toward reaches a customarily-bizarre crescendo here, with Alan Tudyk’s Mr. Nobody being treated/subject to some revelatory period-piece “backstory” of his own here (superbly realized by director Rebecca Rodriguez) before placing each of our “Doom Patrolers” at the precise moment before the accidents/incidents that changed their lives and offering them, in a very real sense, a “do-over.” In other words, that newly-realized sense of resolve they’ve all got? It’s sorely put to the test here.

Notably absent from the inter-dimensional brouhaha (arrived at by — uhhmmm — unique means courtesy of Devan Chandler Long’s Flex Mentallo, who accidentally gives our heroes, and everyone else “on” Danny, an orgasm first) is Joivan Wade’s Vic Stone, who’s in for a historical re-write himself, courtesy of his barely-conscious father, Silas (played, as ever, by consummate pro Phil Morris), who reveals that the memories swirling in his son’s mind aren’t necessarily what really happened.

Which, as things turn out, ends up being something of a running theme here, but to say any more about that would probably be to say too much. What I can safely reveal is that if you think Mr. Nobody is dispatched too easily when the time comes, you’re absolutely right, and the “happy return” of Timothy Dalton’s “Chief” Niles Caulder comes with quite a price, as he’s forced to re-live a tragedy of his own — and, frankly, everyone else’s — again and again.

And again.

And again.

Until —

Yeah, the ending. That ending. The one I said I’d keep mum on, and shall. The one that ties into the episode’s over-arching theme of memory — or at least perceived memory — not being what it’s cracked up to be. But “cracking” may be precisely what’s in store for April Bowlby’s Rita Farr, Diane Guerrero’s “Crazy” Jane, Brendan Fraser/Riley Shanahan’s Cliff Steele, and Matt Bomer/Matthew Zuk’s Larry Trainor. We shall see.

Granted, those familiar with the Grant Morrison/Richard Case run on the comic will be far less shocked by the revelation/twist in question than those coming in to the series “cold,” but my money is on you grizzled vets still being surprised by the tonal difference that comes part and parcel with its, for lack of a better term, “TV version,” and will be equally confounded/intrigued by the possibilities it presents for next week’s big finale.

And, yeah, it’s definitely going to be big. I don’t do the whole “breathless with suspense” thing too often when it comes to television, but the next seven days can hurry up and fly right by as far as I’m concerned.  This has been a heck of a ride, and it’s all set up for a heck of a finish.

The end may indeed be nigh — but all indications are that Carver and company are determined to go out with a very loud bang.


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