Anybody else still reeling? ‘Cuz, I mean, part fourteen of David Lynch and Mark Frost’s Twin Peaks 2017/Twin Peaks : The Return/Twin Peaks season three was one “holy shit!” moment after another —

In fact, about the only thing that wasn’t surprising to find out tonight that Lynch’s Gordon Cole has Monica Bellucci dreams — but they’re considerably “cleaner” than yours or mine would most likely be, and Ms. Bellucci even offers cryptic hints as to the very nature of dreaming itself within them. Let us, then, turn our attention away from this and toward our catalogue of shocking instances —

Holy shit! It’s one of my favorite scenes from Twin Peaks : Fire Walk With Me — the one with David Bowie’s Phillip Jeffries — and this time it comes complete with something vaguely approximating explanations! Great to see Bowie again, and he needn’t worry about appearing only in flashback — that’s all Kyle MacLachlan gets this week, too.

Holy shit! Diane (a role that Laura Dern is now just straight-up inhabiting) just told Cole, Albert Rosenfeld (Miguel Ferrer) and Tammy Preston (Chrysta Bell) that Janey-E is her sister! I didn’t see this  coming at all — in fact, I’m not even sure I buy it, to be honest. We all know she’s in cahoots with “Evil Coop” — could she just be trying to steer all of them to Las Vegas in order to meet, one would assume, their potential doom? Gotta think more about this one. Let’s check in on things in the town of Twin Peaks proper —

Holy shit! John Pirruccello’s Deputy Chad is busted! Have fun going from working in a jail to living in it, asshole! A really nice moment showing Cole and Lucy (Kimmy Robertson) speaking on the phone for the first time in 25 years is followed by the long-anticipated trek to “Jack Rabbit’s Palace” by Sheriff Frank Truman (Robert Forster) and Deputies Andy Brennan (Harry Goaz), Hawk (Michael Horse), and Bobby Briggs (Dana Ashbrook). The pleasant reminiscences Bobby is experiencing don’t last long, though, because —

Holy shit! It’s Nae Yuuki, the woman from “The Zone” in part three with her eyes sewed shut — here? On our world? And holy shit! It’s another vortex! And holy shit! Andy’s been taken into it! And holy shit! He meets Carel Strucyken, whose “real” name isn’t “The Giant,” but “The Fireman’! And holy shit he shows Andy the two Coopers! And the Woodsmen! And the being from the atomic explosion that created Bob! And — hey, wait a minute : does Andy actually know more than we do now? That would be a first.

They bring the prone, strange-sound-emitting woman to jail in order to keep her safe — Andy informs us that “she’s very important and people are trying to kill her” — and there she gets to make the acquaintance of both Deputy Chad and a gruesomely injured local drunk (Jay Aaseng) who has the annoying habit of repeating everything he hears while blood drips from his mouth. I wouldn’t blame her for wanting to high-tail it off this sorry plane of existence already.

Holy shit! James Hurley (James Marshall) works as a “rent-a-cop” minimum wage security guard! Come to think of it, this one’s not too surprising either — but the story that his youthful co-worker, Freddy (Jake Wardle) tells him certainly is. One day poor Freddy got sucked up into a vortex and met a guy called “The Fireman,” who told him to go buy a single rubber glove at a particular hardware store near his then-home in London. The glove would give him super-strength in the hand he wore it on. Then he was to fly to a town in Washington state called Twin Peaks, and there he would meet his destiny. So, hey, now he’s just waiting for that to happen, I guess — and odds are that something big’s gonna go down, because when Freddy got to Heathrow to buy his plane ticket, he found that one was already waiting for him. James finds his friend’s tale both incredible and believable in equal measure, but now it’s time to have a look at the furnace — and something awe-inspiringly creepy is just around the corner with this whole routine maintenance check, believe you me.

Next up it’s back to Grace Zabriskie’s Sarah Palmer, who’s varying up her routine by drinking at a dive bar rather than at home. A redneck MAGA dickhead approaches her and when she declines his company, he immediately lays into some trip about her being a “cunt” and a “bull dyke” and a — well, you know the routine. She tried to warn him off. She really did. But then it’s holy shit Sarah Palmer holy shit Sarah Palmer holy shit Sarah Palmer holy shit Sarah Palmer!!!!!!!!!!!!!!!!!!!

“False faces” apparently run in the Palmer family — remember, Laura pulled a similar “trick” earlier this season — and one torn-out throat later, Alex Jones and Mike Cernovich have one less YouTube subscriber.  Of all the “holy shit!” moments in part fourteen, this one was, for my money, the — errrrrmmmm — “holy shittiest!” of the bunch. Like I said, still reeling.

Before things end, though, we get one more conversation at the Road House referencing this missing “Billy” character (the one Audrey Horne seems so fixated on, as well), and then J.R. Starr gets a “holy shit!” moment all for himself when he introduces Lissie to the stage and makes is abundantly clear that he’s a big fan.

Holy shit this was some good stuff.

 

 

 

Comments
  1. Ryan C. (trashfilmguru) says:

    Reblogged this on Through the Shattered Lens.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s